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Is this an example of a Neapolitan chord?


Do Neapolitan chords exist in modes with a minor second?Tritone substitution in a ii-V-I progression and chord namesIs this an 8 bar blues chord progression? How to know if it is or isn't?Is this an acceptable variation on the 12-bar blues?How to identify the chord progression and a specific chordWhat is it about the blues chord progression that makes the blues feel?Parallel chord substitutionsChord progression conveniency depending on the harmonic rhythmuse of 4/2 chord more compelling than root position?Are there any cases where the ii chord is replaced by the Neapolitan chord in the Circle of Fifths Progression?













3















enter image description here



The chord that goes on the fourth and fifth bars of my attachment above looks like a Neapolitan chord. (The C at the end of the fifth bar as a passing tone) In fact, the chord progression appears as if it is I - N - V6 in C major. (C - D♭ - G/B) Am I right?










share|improve this question

















  • 1





    Where are you getting the G/B? I see the B....

    – David Bowling
    13 hours ago











  • Although it is only written with Bs, it is G/B chord.

    – Maika Sakuranomiya
    13 hours ago






  • 1





    How do you know that? That is my question. What comes next?

    – David Bowling
    13 hours ago






  • 1





    Thanks for the link! For other viewers, that link is the Liszt piano transcription of Beethoven's Symphony No. 3 in E Flat Major "Eroica", and this excerpt is of the funeral march movement's transition from the trio back to the minor-key outer march section.

    – Dekkadeci
    13 hours ago






  • 1





    @MaikaSakuranomiya - No, I mean "outer march"-"trio"-"outer march", with the trio being the "inner march".

    – Dekkadeci
    12 hours ago















3















enter image description here



The chord that goes on the fourth and fifth bars of my attachment above looks like a Neapolitan chord. (The C at the end of the fifth bar as a passing tone) In fact, the chord progression appears as if it is I - N - V6 in C major. (C - D♭ - G/B) Am I right?










share|improve this question

















  • 1





    Where are you getting the G/B? I see the B....

    – David Bowling
    13 hours ago











  • Although it is only written with Bs, it is G/B chord.

    – Maika Sakuranomiya
    13 hours ago






  • 1





    How do you know that? That is my question. What comes next?

    – David Bowling
    13 hours ago






  • 1





    Thanks for the link! For other viewers, that link is the Liszt piano transcription of Beethoven's Symphony No. 3 in E Flat Major "Eroica", and this excerpt is of the funeral march movement's transition from the trio back to the minor-key outer march section.

    – Dekkadeci
    13 hours ago






  • 1





    @MaikaSakuranomiya - No, I mean "outer march"-"trio"-"outer march", with the trio being the "inner march".

    – Dekkadeci
    12 hours ago













3












3








3








enter image description here



The chord that goes on the fourth and fifth bars of my attachment above looks like a Neapolitan chord. (The C at the end of the fifth bar as a passing tone) In fact, the chord progression appears as if it is I - N - V6 in C major. (C - D♭ - G/B) Am I right?










share|improve this question














enter image description here



The chord that goes on the fourth and fifth bars of my attachment above looks like a Neapolitan chord. (The C at the end of the fifth bar as a passing tone) In fact, the chord progression appears as if it is I - N - V6 in C major. (C - D♭ - G/B) Am I right?







chords chord-progressions






share|improve this question













share|improve this question











share|improve this question




share|improve this question










asked 14 hours ago









Maika SakuranomiyaMaika Sakuranomiya

6711325




6711325







  • 1





    Where are you getting the G/B? I see the B....

    – David Bowling
    13 hours ago











  • Although it is only written with Bs, it is G/B chord.

    – Maika Sakuranomiya
    13 hours ago






  • 1





    How do you know that? That is my question. What comes next?

    – David Bowling
    13 hours ago






  • 1





    Thanks for the link! For other viewers, that link is the Liszt piano transcription of Beethoven's Symphony No. 3 in E Flat Major "Eroica", and this excerpt is of the funeral march movement's transition from the trio back to the minor-key outer march section.

    – Dekkadeci
    13 hours ago






  • 1





    @MaikaSakuranomiya - No, I mean "outer march"-"trio"-"outer march", with the trio being the "inner march".

    – Dekkadeci
    12 hours ago












  • 1





    Where are you getting the G/B? I see the B....

    – David Bowling
    13 hours ago











  • Although it is only written with Bs, it is G/B chord.

    – Maika Sakuranomiya
    13 hours ago






  • 1





    How do you know that? That is my question. What comes next?

    – David Bowling
    13 hours ago






  • 1





    Thanks for the link! For other viewers, that link is the Liszt piano transcription of Beethoven's Symphony No. 3 in E Flat Major "Eroica", and this excerpt is of the funeral march movement's transition from the trio back to the minor-key outer march section.

    – Dekkadeci
    13 hours ago






  • 1





    @MaikaSakuranomiya - No, I mean "outer march"-"trio"-"outer march", with the trio being the "inner march".

    – Dekkadeci
    12 hours ago







1




1





Where are you getting the G/B? I see the B....

– David Bowling
13 hours ago





Where are you getting the G/B? I see the B....

– David Bowling
13 hours ago













Although it is only written with Bs, it is G/B chord.

– Maika Sakuranomiya
13 hours ago





Although it is only written with Bs, it is G/B chord.

– Maika Sakuranomiya
13 hours ago




1




1





How do you know that? That is my question. What comes next?

– David Bowling
13 hours ago





How do you know that? That is my question. What comes next?

– David Bowling
13 hours ago




1




1





Thanks for the link! For other viewers, that link is the Liszt piano transcription of Beethoven's Symphony No. 3 in E Flat Major "Eroica", and this excerpt is of the funeral march movement's transition from the trio back to the minor-key outer march section.

– Dekkadeci
13 hours ago





Thanks for the link! For other viewers, that link is the Liszt piano transcription of Beethoven's Symphony No. 3 in E Flat Major "Eroica", and this excerpt is of the funeral march movement's transition from the trio back to the minor-key outer march section.

– Dekkadeci
13 hours ago




1




1





@MaikaSakuranomiya - No, I mean "outer march"-"trio"-"outer march", with the trio being the "inner march".

– Dekkadeci
12 hours ago





@MaikaSakuranomiya - No, I mean "outer march"-"trio"-"outer march", with the trio being the "inner march".

– Dekkadeci
12 hours ago










2 Answers
2






active

oldest

votes


















4














Yes, it's a Neapolitan chord. Because of the arpeggio, it's not in the usual position (F-A♭-D♭-F). The last three notes are D♭-C-B which is a common melodic figure over a N6-V transition.






share|improve this answer

























  • Thanks, ttw! It's an effect of the return of the mournful mood in order to move back to the opening march theme.

    – Maika Sakuranomiya
    12 hours ago


















4














I'd say yes: Beethoven is kind of on the nose here and outlines a D flat major chord in the 5th bar of the excerpt. It's followed by dominant-function leading tones. Right after that and outside of the excerpt, G's play, and then the rest of the piece continues with C minor chord figurations. Sounds like a Neapolitan chord that properly resolves to me.



Interpretation ambiguity can still reign, though: the 3rd and 4th bars of that excerpt can easily be interpreted as outlining an F minor chord, IMO, as long as you ditch the E in the third bar early in.






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    2 Answers
    2






    active

    oldest

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    2 Answers
    2






    active

    oldest

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    active

    oldest

    votes






    active

    oldest

    votes









    4














    Yes, it's a Neapolitan chord. Because of the arpeggio, it's not in the usual position (F-A♭-D♭-F). The last three notes are D♭-C-B which is a common melodic figure over a N6-V transition.






    share|improve this answer

























    • Thanks, ttw! It's an effect of the return of the mournful mood in order to move back to the opening march theme.

      – Maika Sakuranomiya
      12 hours ago















    4














    Yes, it's a Neapolitan chord. Because of the arpeggio, it's not in the usual position (F-A♭-D♭-F). The last three notes are D♭-C-B which is a common melodic figure over a N6-V transition.






    share|improve this answer

























    • Thanks, ttw! It's an effect of the return of the mournful mood in order to move back to the opening march theme.

      – Maika Sakuranomiya
      12 hours ago













    4












    4








    4







    Yes, it's a Neapolitan chord. Because of the arpeggio, it's not in the usual position (F-A♭-D♭-F). The last three notes are D♭-C-B which is a common melodic figure over a N6-V transition.






    share|improve this answer















    Yes, it's a Neapolitan chord. Because of the arpeggio, it's not in the usual position (F-A♭-D♭-F). The last three notes are D♭-C-B which is a common melodic figure over a N6-V transition.







    share|improve this answer














    share|improve this answer



    share|improve this answer








    edited 5 hours ago









    Glorfindel

    1,30011218




    1,30011218










    answered 12 hours ago









    ttwttw

    8,878932




    8,878932












    • Thanks, ttw! It's an effect of the return of the mournful mood in order to move back to the opening march theme.

      – Maika Sakuranomiya
      12 hours ago

















    • Thanks, ttw! It's an effect of the return of the mournful mood in order to move back to the opening march theme.

      – Maika Sakuranomiya
      12 hours ago
















    Thanks, ttw! It's an effect of the return of the mournful mood in order to move back to the opening march theme.

    – Maika Sakuranomiya
    12 hours ago





    Thanks, ttw! It's an effect of the return of the mournful mood in order to move back to the opening march theme.

    – Maika Sakuranomiya
    12 hours ago











    4














    I'd say yes: Beethoven is kind of on the nose here and outlines a D flat major chord in the 5th bar of the excerpt. It's followed by dominant-function leading tones. Right after that and outside of the excerpt, G's play, and then the rest of the piece continues with C minor chord figurations. Sounds like a Neapolitan chord that properly resolves to me.



    Interpretation ambiguity can still reign, though: the 3rd and 4th bars of that excerpt can easily be interpreted as outlining an F minor chord, IMO, as long as you ditch the E in the third bar early in.






    share|improve this answer



























      4














      I'd say yes: Beethoven is kind of on the nose here and outlines a D flat major chord in the 5th bar of the excerpt. It's followed by dominant-function leading tones. Right after that and outside of the excerpt, G's play, and then the rest of the piece continues with C minor chord figurations. Sounds like a Neapolitan chord that properly resolves to me.



      Interpretation ambiguity can still reign, though: the 3rd and 4th bars of that excerpt can easily be interpreted as outlining an F minor chord, IMO, as long as you ditch the E in the third bar early in.






      share|improve this answer

























        4












        4








        4







        I'd say yes: Beethoven is kind of on the nose here and outlines a D flat major chord in the 5th bar of the excerpt. It's followed by dominant-function leading tones. Right after that and outside of the excerpt, G's play, and then the rest of the piece continues with C minor chord figurations. Sounds like a Neapolitan chord that properly resolves to me.



        Interpretation ambiguity can still reign, though: the 3rd and 4th bars of that excerpt can easily be interpreted as outlining an F minor chord, IMO, as long as you ditch the E in the third bar early in.






        share|improve this answer













        I'd say yes: Beethoven is kind of on the nose here and outlines a D flat major chord in the 5th bar of the excerpt. It's followed by dominant-function leading tones. Right after that and outside of the excerpt, G's play, and then the rest of the piece continues with C minor chord figurations. Sounds like a Neapolitan chord that properly resolves to me.



        Interpretation ambiguity can still reign, though: the 3rd and 4th bars of that excerpt can easily be interpreted as outlining an F minor chord, IMO, as long as you ditch the E in the third bar early in.







        share|improve this answer












        share|improve this answer



        share|improve this answer










        answered 12 hours ago









        DekkadeciDekkadeci

        5,49621420




        5,49621420



























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