Is it common practice to audition new musicians one-on-one before rehearsing with the entire band? Announcing the arrival of Valued Associate #679: Cesar Manara Planned maintenance scheduled April 17/18, 2019 at 00:00UTC (8:00pm US/Eastern)How do you determine if you're ready to join a band?Trumpet playing causes pain in right cheek, constant problem. I'm looking for a way to prevent this?How to deal with the fear of auditions?Stucturing Rock Band PracticesRelease a new album with a new bandHow to conduct rehearsals in a small band?Should I play in a concert band or orchestra?Flamenco - How to find band mates that appreciate it and in a new town?Question about tribute band 'etiquette'

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Is it common practice to audition new musicians one-on-one before rehearsing with the entire band?



Announcing the arrival of Valued Associate #679: Cesar Manara
Planned maintenance scheduled April 17/18, 2019 at 00:00UTC (8:00pm US/Eastern)How do you determine if you're ready to join a band?Trumpet playing causes pain in right cheek, constant problem. I'm looking for a way to prevent this?How to deal with the fear of auditions?Stucturing Rock Band PracticesRelease a new album with a new bandHow to conduct rehearsals in a small band?Should I play in a concert band or orchestra?Flamenco - How to find band mates that appreciate it and in a new town?Question about tribute band 'etiquette'










6















I used to audition new musicians one-on-one, for a soul music band. After that, if I really liked them, I invited the new musician to rehearse with the rest of the band. Is that a common practice?



Some of them argued that it is hard to try anything with only voice and one instrument, or it's not fun to try with a backtrack. However, I want first to see what kind of people they are before joining the rest of the band.



What's the common practice? Do usually band audition with the entire band or one-on-one?










share|improve this question



















  • 8





    Do you mean "one -on -one" ?

    – Carl Witthoft
    14 hours ago






  • 13





    What does “1-2-1” mean?

    – Todd Wilcox
    13 hours ago






  • 10





    @CarlWitthoft I think it's supposed to be "1 to 1," with the preposition "to." But (in the US at least) "one on one" is probably more idiomatic.

    – phoog
    12 hours ago







  • 2





    @phoog Seems like a very small football formation to me. :-)

    – Todd Wilcox
    11 hours ago






  • 1





    @ToddWilcox en.wikipedia.org/wiki/Five-a-side_football

    – phoog
    11 hours ago















6















I used to audition new musicians one-on-one, for a soul music band. After that, if I really liked them, I invited the new musician to rehearse with the rest of the band. Is that a common practice?



Some of them argued that it is hard to try anything with only voice and one instrument, or it's not fun to try with a backtrack. However, I want first to see what kind of people they are before joining the rest of the band.



What's the common practice? Do usually band audition with the entire band or one-on-one?










share|improve this question



















  • 8





    Do you mean "one -on -one" ?

    – Carl Witthoft
    14 hours ago






  • 13





    What does “1-2-1” mean?

    – Todd Wilcox
    13 hours ago






  • 10





    @CarlWitthoft I think it's supposed to be "1 to 1," with the preposition "to." But (in the US at least) "one on one" is probably more idiomatic.

    – phoog
    12 hours ago







  • 2





    @phoog Seems like a very small football formation to me. :-)

    – Todd Wilcox
    11 hours ago






  • 1





    @ToddWilcox en.wikipedia.org/wiki/Five-a-side_football

    – phoog
    11 hours ago













6












6








6








I used to audition new musicians one-on-one, for a soul music band. After that, if I really liked them, I invited the new musician to rehearse with the rest of the band. Is that a common practice?



Some of them argued that it is hard to try anything with only voice and one instrument, or it's not fun to try with a backtrack. However, I want first to see what kind of people they are before joining the rest of the band.



What's the common practice? Do usually band audition with the entire band or one-on-one?










share|improve this question
















I used to audition new musicians one-on-one, for a soul music band. After that, if I really liked them, I invited the new musician to rehearse with the rest of the band. Is that a common practice?



Some of them argued that it is hard to try anything with only voice and one instrument, or it's not fun to try with a backtrack. However, I want first to see what kind of people they are before joining the rest of the band.



What's the common practice? Do usually band audition with the entire band or one-on-one?







band audition






share|improve this question















share|improve this question













share|improve this question




share|improve this question








edited 1 hour ago









John Kugelman

10715




10715










asked 14 hours ago









user1883212user1883212

1753




1753







  • 8





    Do you mean "one -on -one" ?

    – Carl Witthoft
    14 hours ago






  • 13





    What does “1-2-1” mean?

    – Todd Wilcox
    13 hours ago






  • 10





    @CarlWitthoft I think it's supposed to be "1 to 1," with the preposition "to." But (in the US at least) "one on one" is probably more idiomatic.

    – phoog
    12 hours ago







  • 2





    @phoog Seems like a very small football formation to me. :-)

    – Todd Wilcox
    11 hours ago






  • 1





    @ToddWilcox en.wikipedia.org/wiki/Five-a-side_football

    – phoog
    11 hours ago












  • 8





    Do you mean "one -on -one" ?

    – Carl Witthoft
    14 hours ago






  • 13





    What does “1-2-1” mean?

    – Todd Wilcox
    13 hours ago






  • 10





    @CarlWitthoft I think it's supposed to be "1 to 1," with the preposition "to." But (in the US at least) "one on one" is probably more idiomatic.

    – phoog
    12 hours ago







  • 2





    @phoog Seems like a very small football formation to me. :-)

    – Todd Wilcox
    11 hours ago






  • 1





    @ToddWilcox en.wikipedia.org/wiki/Five-a-side_football

    – phoog
    11 hours ago







8




8





Do you mean "one -on -one" ?

– Carl Witthoft
14 hours ago





Do you mean "one -on -one" ?

– Carl Witthoft
14 hours ago




13




13





What does “1-2-1” mean?

– Todd Wilcox
13 hours ago





What does “1-2-1” mean?

– Todd Wilcox
13 hours ago




10




10





@CarlWitthoft I think it's supposed to be "1 to 1," with the preposition "to." But (in the US at least) "one on one" is probably more idiomatic.

– phoog
12 hours ago






@CarlWitthoft I think it's supposed to be "1 to 1," with the preposition "to." But (in the US at least) "one on one" is probably more idiomatic.

– phoog
12 hours ago





2




2





@phoog Seems like a very small football formation to me. :-)

– Todd Wilcox
11 hours ago





@phoog Seems like a very small football formation to me. :-)

– Todd Wilcox
11 hours ago




1




1





@ToddWilcox en.wikipedia.org/wiki/Five-a-side_football

– phoog
11 hours ago





@ToddWilcox en.wikipedia.org/wiki/Five-a-side_football

– phoog
11 hours ago










2 Answers
2






active

oldest

votes


















9














You might be interested to know how auditions go for positions in symphony orchestras. In most, but not all, cases, applicants perform solo or with a piano accompanist for a couple rounds. If they are selected, they are on a "trial" basis for a year or so before being granted the equivalent of tenure.

There are cases where an orchestra may be courting a specific player, and they go straight to playing full-orchestra rehearsals to see how the sounds and styles blend.



There is no common practice for any group of any size. If you know a player well (either personally or by attending their performances), you might consider whether a solo audition will tell you anything.






share|improve this answer






























    8














    Playing without the rest of the band? I'd walk away from it. It's a two way thing. While you want to know how the prospective player works, they also want to know how the rest of the band works. All very well trying out someone on a one to one basis, where they have little to blend in with or work off, but see it from their side too.



    Some of the bands I've 'joined' and gigged with, there's not even been a rehearsal, let alone an audition. but they're reading bands, so the situation is maybe far different from yours. Others have had numerous rehearsals, including the introductory one - with the full band. Sometimes there's been a list of stuff a week before, sometimes I don't know until the practice.



    And why do you think your view matters more than the other players? 'Cos it's your band? That's all very well, but may backfire when the drummer or another member decides he doesn't get on with the new member, either musically or personality wise. Then it's look for a new drummer time!



    There are, as Carl indicates, no 'normal' practice with prospective new members, mainly as there are so many different types of bands, groups, orchestras, etc, with huge differences in how and what they play, and how they rehearse. Although for a mainstream soul band, with maybe 8 or so players, I'd always go for a full band first play - horn players would need to have the others playing at the same time anyway.






    share|improve this answer























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      2 Answers
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      2 Answers
      2






      active

      oldest

      votes









      active

      oldest

      votes






      active

      oldest

      votes









      9














      You might be interested to know how auditions go for positions in symphony orchestras. In most, but not all, cases, applicants perform solo or with a piano accompanist for a couple rounds. If they are selected, they are on a "trial" basis for a year or so before being granted the equivalent of tenure.

      There are cases where an orchestra may be courting a specific player, and they go straight to playing full-orchestra rehearsals to see how the sounds and styles blend.



      There is no common practice for any group of any size. If you know a player well (either personally or by attending their performances), you might consider whether a solo audition will tell you anything.






      share|improve this answer



























        9














        You might be interested to know how auditions go for positions in symphony orchestras. In most, but not all, cases, applicants perform solo or with a piano accompanist for a couple rounds. If they are selected, they are on a "trial" basis for a year or so before being granted the equivalent of tenure.

        There are cases where an orchestra may be courting a specific player, and they go straight to playing full-orchestra rehearsals to see how the sounds and styles blend.



        There is no common practice for any group of any size. If you know a player well (either personally or by attending their performances), you might consider whether a solo audition will tell you anything.






        share|improve this answer

























          9












          9








          9







          You might be interested to know how auditions go for positions in symphony orchestras. In most, but not all, cases, applicants perform solo or with a piano accompanist for a couple rounds. If they are selected, they are on a "trial" basis for a year or so before being granted the equivalent of tenure.

          There are cases where an orchestra may be courting a specific player, and they go straight to playing full-orchestra rehearsals to see how the sounds and styles blend.



          There is no common practice for any group of any size. If you know a player well (either personally or by attending their performances), you might consider whether a solo audition will tell you anything.






          share|improve this answer













          You might be interested to know how auditions go for positions in symphony orchestras. In most, but not all, cases, applicants perform solo or with a piano accompanist for a couple rounds. If they are selected, they are on a "trial" basis for a year or so before being granted the equivalent of tenure.

          There are cases where an orchestra may be courting a specific player, and they go straight to playing full-orchestra rehearsals to see how the sounds and styles blend.



          There is no common practice for any group of any size. If you know a player well (either personally or by attending their performances), you might consider whether a solo audition will tell you anything.







          share|improve this answer












          share|improve this answer



          share|improve this answer










          answered 14 hours ago









          Carl WitthoftCarl Witthoft

          9,68621431




          9,68621431





















              8














              Playing without the rest of the band? I'd walk away from it. It's a two way thing. While you want to know how the prospective player works, they also want to know how the rest of the band works. All very well trying out someone on a one to one basis, where they have little to blend in with or work off, but see it from their side too.



              Some of the bands I've 'joined' and gigged with, there's not even been a rehearsal, let alone an audition. but they're reading bands, so the situation is maybe far different from yours. Others have had numerous rehearsals, including the introductory one - with the full band. Sometimes there's been a list of stuff a week before, sometimes I don't know until the practice.



              And why do you think your view matters more than the other players? 'Cos it's your band? That's all very well, but may backfire when the drummer or another member decides he doesn't get on with the new member, either musically or personality wise. Then it's look for a new drummer time!



              There are, as Carl indicates, no 'normal' practice with prospective new members, mainly as there are so many different types of bands, groups, orchestras, etc, with huge differences in how and what they play, and how they rehearse. Although for a mainstream soul band, with maybe 8 or so players, I'd always go for a full band first play - horn players would need to have the others playing at the same time anyway.






              share|improve this answer



























                8














                Playing without the rest of the band? I'd walk away from it. It's a two way thing. While you want to know how the prospective player works, they also want to know how the rest of the band works. All very well trying out someone on a one to one basis, where they have little to blend in with or work off, but see it from their side too.



                Some of the bands I've 'joined' and gigged with, there's not even been a rehearsal, let alone an audition. but they're reading bands, so the situation is maybe far different from yours. Others have had numerous rehearsals, including the introductory one - with the full band. Sometimes there's been a list of stuff a week before, sometimes I don't know until the practice.



                And why do you think your view matters more than the other players? 'Cos it's your band? That's all very well, but may backfire when the drummer or another member decides he doesn't get on with the new member, either musically or personality wise. Then it's look for a new drummer time!



                There are, as Carl indicates, no 'normal' practice with prospective new members, mainly as there are so many different types of bands, groups, orchestras, etc, with huge differences in how and what they play, and how they rehearse. Although for a mainstream soul band, with maybe 8 or so players, I'd always go for a full band first play - horn players would need to have the others playing at the same time anyway.






                share|improve this answer

























                  8












                  8








                  8







                  Playing without the rest of the band? I'd walk away from it. It's a two way thing. While you want to know how the prospective player works, they also want to know how the rest of the band works. All very well trying out someone on a one to one basis, where they have little to blend in with or work off, but see it from their side too.



                  Some of the bands I've 'joined' and gigged with, there's not even been a rehearsal, let alone an audition. but they're reading bands, so the situation is maybe far different from yours. Others have had numerous rehearsals, including the introductory one - with the full band. Sometimes there's been a list of stuff a week before, sometimes I don't know until the practice.



                  And why do you think your view matters more than the other players? 'Cos it's your band? That's all very well, but may backfire when the drummer or another member decides he doesn't get on with the new member, either musically or personality wise. Then it's look for a new drummer time!



                  There are, as Carl indicates, no 'normal' practice with prospective new members, mainly as there are so many different types of bands, groups, orchestras, etc, with huge differences in how and what they play, and how they rehearse. Although for a mainstream soul band, with maybe 8 or so players, I'd always go for a full band first play - horn players would need to have the others playing at the same time anyway.






                  share|improve this answer













                  Playing without the rest of the band? I'd walk away from it. It's a two way thing. While you want to know how the prospective player works, they also want to know how the rest of the band works. All very well trying out someone on a one to one basis, where they have little to blend in with or work off, but see it from their side too.



                  Some of the bands I've 'joined' and gigged with, there's not even been a rehearsal, let alone an audition. but they're reading bands, so the situation is maybe far different from yours. Others have had numerous rehearsals, including the introductory one - with the full band. Sometimes there's been a list of stuff a week before, sometimes I don't know until the practice.



                  And why do you think your view matters more than the other players? 'Cos it's your band? That's all very well, but may backfire when the drummer or another member decides he doesn't get on with the new member, either musically or personality wise. Then it's look for a new drummer time!



                  There are, as Carl indicates, no 'normal' practice with prospective new members, mainly as there are so many different types of bands, groups, orchestras, etc, with huge differences in how and what they play, and how they rehearse. Although for a mainstream soul band, with maybe 8 or so players, I'd always go for a full band first play - horn players would need to have the others playing at the same time anyway.







                  share|improve this answer












                  share|improve this answer



                  share|improve this answer










                  answered 13 hours ago









                  TimTim

                  105k10107264




                  105k10107264



























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                      Беларусь Змест Назва Гісторыя Геаграфія Сімволіка Дзяржаўны лад Палітычныя партыі Міжнароднае становішча і знешняя палітыка Адміністрацыйны падзел Насельніцтва Эканоміка Культура і грамадства Сацыяльная сфера Узброеныя сілы Заўвагі Літаратура Спасылкі НавігацыяHGЯOiТоп-2011 г. (па версіі ej.by)Топ-2013 г. (па версіі ej.by)Топ-2016 г. (па версіі ej.by)Топ-2017 г. (па версіі ej.by)Нацыянальны статыстычны камітэт Рэспублікі БеларусьШчыльнасць насельніцтва па краінахhttp://naviny.by/rubrics/society/2011/09/16/ic_articles_116_175144/А. Калечыц, У. Ксяндзоў. Спробы засялення краю неандэртальскім чалавекам.І ў Менску былі мамантыА. Калечыц, У. Ксяндзоў. Старажытны каменны век (палеаліт). Першапачатковае засяленне тэрыторыіГ. Штыхаў. Балты і славяне ў VI—VIII стст.М. Клімаў. Полацкае княства ў IX—XI стст.Г. Штыхаў, В. Ляўко. Палітычная гісторыя Полацкай зямліГ. Штыхаў. Дзяржаўны лад у землях-княствахГ. Штыхаў. Дзяржаўны лад у землях-княствахБеларускія землі ў складзе Вялікага Княства ЛітоўскагаЛюблінская унія 1569 г."The Early Stages of Independence"Zapomniane prawdy25 гадоў таму было аб'яўлена, што Язэп Пілсудскі — беларус (фота)Наша вадаДакументы ЧАЭС: Забруджванне тэрыторыі Беларусі « ЧАЭС Зона адчужэнняСведения о политических партиях, зарегистрированных в Республике Беларусь // Министерство юстиции Республики БеларусьСтатыстычны бюлетэнь „Полаўзроставая структура насельніцтва Рэспублікі Беларусь на 1 студзеня 2012 года і сярэднегадовая колькасць насельніцтва за 2011 год“Индекс человеческого развития Беларуси — не было бы нижеБеларусь занимает первое место в СНГ по индексу развития с учетом гендерного факцёраНацыянальны статыстычны камітэт Рэспублікі БеларусьКанстытуцыя РБ. Артыкул 17Трансфармацыйныя задачы БеларусіВыйсце з крызісу — далейшае рэфармаванне Беларускі рубель — сусветны лідар па дэвальвацыяхПра змену коштаў у кастрычніку 2011 г.Бядней за беларусаў у СНД толькі таджыкіСярэдні заробак у верасні дасягнуў 2,26 мільёна рублёўЭканомікаГаласуем за ТОП-100 беларускай прозыСучасныя беларускія мастакіАрхитектура Беларуси BELARUS.BYА. Каханоўскі. Культура Беларусі ўсярэдзіне XVII—XVIII ст.Анталогія беларускай народнай песні, гуказапісы спеваўБеларускія Музычныя IнструментыБеларускі рок, які мы страцілі. Топ-10 гуртоў«Мясцовы час» — нязгаслая легенда беларускай рок-музыкіСЯРГЕЙ БУДКІН. МЫ НЯ ЗНАЕМ СВАЁЙ МУЗЫКІМ. А. Каладзінскі. НАРОДНЫ ТЭАТРМагнацкія культурныя цэнтрыПублічная дыскусія «Беларуская новая пьеса: без беларускай мовы ці беларуская?»Беларускія драматургі па-ранейшаму лепш ставяцца за мяжой, чым на радзіме«Працэс незалежнага кіно пайшоў, і дзяржаву турбуе яго непадкантрольнасць»Беларускія філосафы ў пошуках прасторыВсе идём в библиотекуАрхіваванаАб Нацыянальнай праграме даследавання і выкарыстання касмічнай прасторы ў мірных мэтах на 2008—2012 гадыУ космас — разам.У суседнім з Барысаўскім раёне пабудуюць Камандна-вымяральны пунктСвяты і абрады беларусаў«Мірныя бульбашы з малой краіны» — 5 непраўдзівых стэрэатыпаў пра БеларусьМ. Раманюк. Беларускае народнае адзеннеУ Беларусі скарачаецца колькасць злачынстваўЛукашэнка незадаволены мінскімі ўладамі Крадзяжы складаюць у Мінску каля 70% злачынстваў Узровень злачыннасці ў Мінскай вобласці — адзін з самых высокіх у краіне Генпракуратура аналізуе стан са злачыннасцю ў Беларусі па каэфіцыенце злачыннасці У Беларусі стабілізавалася крымінагеннае становішча, лічыць генпракурорЗамежнікі сталі здзяйсняць у Беларусі больш злачынстваўМУС Беларусі турбуе рост рэцыдыўнай злачыннасціЯ з ЖЭСа. Дазволіце вас абкрасці! Рэйтынг усіх службаў і падраздзяленняў ГУУС Мінгарвыканкама вырасАб КДБ РБГісторыя Аператыўна-аналітычнага цэнтра РБГісторыя ДКФРТаможняagentura.ruБеларусьBelarus.by — Афіцыйны сайт Рэспублікі БеларусьСайт урада БеларусіRadzima.org — Збор архітэктурных помнікаў, гісторыя Беларусі«Глобус Беларуси»Гербы и флаги БеларусиАсаблівасці каменнага веку на БеларусіА. Калечыц, У. Ксяндзоў. Старажытны каменны век (палеаліт). Першапачатковае засяленне тэрыторыіУ. Ксяндзоў. Сярэдні каменны век (мезаліт). Засяленне краю плямёнамі паляўнічых, рыбакоў і збіральнікаўА. Калечыц, М. Чарняўскі. Плямёны на тэрыторыі Беларусі ў новым каменным веку (неаліце)А. Калечыц, У. Ксяндзоў, М. Чарняўскі. Гаспадарчыя заняткі ў каменным векуЭ. Зайкоўскі. Духоўная культура ў каменным векуАсаблівасці бронзавага веку на БеларусіФарміраванне супольнасцей ранняга перыяду бронзавага векуФотографии БеларусиРоля беларускіх зямель ва ўтварэнні і ўмацаванні ВКЛВ. Фадзеева. З гісторыі развіцця беларускай народнай вышыўкіDMOZGran catalanaБольшая российскаяBritannica (анлайн)Швейцарскі гістарычны15325917611952699xDA123282154079143-90000 0001 2171 2080n9112870100577502ge128882171858027501086026362074122714179пппппп